spiral out

This week’s diva challenge was to use a spiral as the string. For those unfamiliar with Zentangle®, the string is a light pencil line drawn first, which forms the framework for the tangles (patterns) that are drawn in ink on top of the string. I found the spiral form really conducive to using fewer tangles than usual.

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Tangles I used: a knase-hibred tangellation, flux, rain, and beadlines.

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Keeko and beadlines.

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Wud, crescent moon, and divadance.

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exercises for the brain and hand

One thing that recurs in any art practice, and in my regular Zentangle® practice, is the idea of exercise. It builds skill, just like an exercise program for your body builds muscles and endurance. It’s also about welcoming the “what if?” question, repeatedly conjuring up new explorations. Artists everywhere often conduct their explorations within constraints, like using only black and white, or straight lines, or a certain canvas shape… and the results, in turn, lead to new exercises and explorations.

For anyone who has learned the Zentangle art form (and for anyone ready to jump in), there’s a new exercise waiting for you every Monday morning at iamthedivaczt, a blog hosted by Laura Harms, who hails from Saskatoon, Saskatchewan in Canada. If you have time, do more than one! You’ll find yourself asking more what-ifs and inviting yourself to more exercise. The results are amazing, and limitless.

This week, the challenge was to create a duotangle using only the divadance and crescent moon tangles, two official Zentangle patterns. You can see where I got to with them, below.

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Above, I explored drawing divadance by filling in the spaces between the lines (on the left side).

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I looked at what Simone Bischoff did for the challenge, and really liked how she used circles instead of half-circles for the crescent moon tangle. So, I tried it myself (upper right).

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I decided not to use solid black areas in the tangles, and stuck with repeating lines.